As the Call, So the Echo

Obsessed with Light is not a bio-pic of pioneer Loïe Fuller, but rather an insightful examination of the artistry and incredible impact her work still has on contemporary culture, including artists like Red Hot Chili Peppers, Taylor Swift and Shakira. The American creator of modern dance, Fuller (1862-1928), created a completely new kind of spectacle which combined dance, fabric and movement. She propelled herself into swirling abstractions which made audiences gasp and she immediately understood the importance of copyright and protecting the ownership of innovations. Creating a dialogue between the past and the present, artists such as Robert Wilson, Bill T. Jones, Iris van Herpen, William Kentridge, Trajal Harrell and Studio Drift speak about her influence in their own work. ​

Mimeisthai is an experimental screendance that responds to Walter Benjamin’s concept of the ‘mimetic faculty’, which is, the ability to perceive and/or reproduce similarity. This generic skill is possessed by all living things and finds expression on various levels, from the biological to the behavioral; such as in reproduction or camouflage, to the myriad ways that creatures communicate.

In Mimeisthai movements are shared, copied and repeated between performers both on and off-screen, and then amplified across multiple frames. Through duplication, repetition, and layering multiple exposures, this work explores the mimetic faculty of dance and digital video.

Faces of Passing Love is a film that mourns for past lovers through obsolete technology: a repeatedly projected slideshow, where eyes open, mouths whisper, tears linger.